Capabilites

built to be understood.

Complex subjects are the fun ones. If it takes an engineer ten minutes to explain, it should take a viewer ten seconds to get.

  • Static work that learned to move — and information that explains itself.

    • Logo animation and broadcast-style idents

    • Animated explainers and technical/capability visualizations

    • Kinetic typography and lower thirds

    • Title sequences and transitions

    • Looping graphics for events, displays, and social

  • Identity systems, and the discipline to work inside someone else's.

    • Logo and identity systems

    • Brand guidelines and asset libraries

    • Print collateral, one-sheets, and long-form layout

    • Presentation and executive communication decks

    • Trade show, event, and environmental graphics

    • Social and campaign graphics

  • Story first. Everything else is in service of it.

    • Narrative and documentary-style editing

    • Interview and b-roll assembly

    • Color correction and grading

    • Sound design and audio mixing

    • Short-form cutdowns and platform-specific versioning

    • Final delivery and archival specs

My process

SCRIPT

Most work isn't inventing a look — it's protecting one. I work inside existing brand standards and keep every deliverable consistent across print, screen, and environment.

STORYBOARDS

You’re part of the process. I keep communication open and decisions shared—no black boxes or surprises.

BUILD

Correct specs the first time — bleeds, color profiles, resolution, codecs, delivery formats. Files that don't come back from the printer or the broadcast desk.

REVISIONS

Comfortable gathering requirements, presenting concepts to non-designers, sourcing quotes, and holding a schedule.